23 Movies Like A Most Violent Year (2014)

Staff & contributors

Chasing the feel of watching A Most Violent Year ? Here are the movies we recommend you watch after A Most Violent Year (2014).

Jessica Chastain and Oscar Isaac star in this slow-burning but impeccable crime thriller.Abel Morales (Isaac) owns a fuel distribution company in 1980s New York. His competitors are violent and corrupt, and the feds are after him. The temptation to resort to unlawful methods is high, especially that his wife (Chastain) is the daughter of a mobster.A Most Violent Year is about how this temptation of corruption unfolds and whether Abel will surrender to it or not.

This is the true story of Oscar Grant III, a 22-year-old Black man in Oakland, California, who was shot dead by police in the morning hours of New Year’s Day 2009. Incidentally, 2009 was also the time when smartphones started going mainstream, and so the incident was not only captured by CCTV but also many private cell phone cameras. The murder went viral.

Grant is superbly played by Michael B. Jordan in what now counts as one of his breakthrough roles, when many only knew him as Wallace in the now-legendary crime drama The Wire. Director Ryan Coogler went on making two more movies with him, including Black Panther in 2018.

Produced by Academy Award winner Forest Whitaker and compassionately told, Fruitvale Station surpasses the sadness of its subject matter and amounts to an extraordinary celebration of life. A must-watch.

A hot summer night, around 2 a.m. You're outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.

In the case of this movie, you become the witness of five days of conversation spent between two fine writers: the once-in-a-generation American author David Foster Wallace and best-selling Rolling Stone journalist David Lipsky, as they travel the US during the 1996 publicity tour for the former's magnum opus, Infinite Jest. Twelve years later Wallace will commit suicide.

Like a good podcast, the James-Ponsoldt-directed road movie makes you feel being part of a deeply personal conversation of the kind you would have with a long-time friend. At times, it can feel like eavesdropping on a genius at work. This effect is helped along by a flawless Jason Segal, who delivers an award-worthy performance as DFW. The fierce intelligence exuded by Jesse Eisenberg as David Lipsky is also nothing short of amazing. As they stuff their faces with junk food, their conversation is insightful, immediate, and unpretentiously relevant, making The End of the Tour a rare and important film.

If you're a fan of the Beach Boys' legacy, or you want to find out more about Wilson, the person, this movie will give you what you need. It has been widely praised as being true to the facts – even by Bryan Wilson himself. But thanks, in part, to the incredible writing by Oscar-nominated Oren Moverman and the work of director Bill Pohlad, this is much more than a fact-based fictionalization of a famous musician's biography. It is a singularly convincing account of the artistic process and the effects of mental illness.

Love and Mercy tells the tale of two Bryan Wilsons: the first of a young and slightly square-looking musical pioneer in the 1960s, when Wilson was working on Pet Sounds, the Beach Boys' most ambitious and ground-breaking album. Paul Dano's performance here is nothing short of perfect. And, second, the tale of the tormented, middle-aged Bryan Wilson, played by John Cusack, during a time when he was under treatment for his deteriorating mental health in the late 1980s. The juxtaposition of these two very different people and the brilliant performances of Cusack and Dano will completely absorb you and change the way you look at things. A unique and beautiful film!

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

One of The Drop's many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn't be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

From the director of Moneyball, Foxcatcher is a true-story-based thriller centered around Olympic wrestlers and brothers Mark Schultz (Channing Tatum) and Dave Schultz (Mark Ruffalo) and multimillionaire John du Pont (Steve Carell). When the latter invites both brothers to move to his estate and train there, with seemingly patriotic motives, only Mark accepts. As training for the 1988 Olympic Games starts, and Du Pont's motives become clearer, tragedy hits. This film is a slow-burning celebration of the exceptional talent it features, both Ruffalo and Carell received Oscar nominations for their roles.

Andrew Garfield is a single father living with his own single mother in their family home. In the aftermath of the financial crisis, they find themselves evicted from their home by a businessman - Michael Shannon in a role as intriguing as Gordon Gekko in Wall Street, if not more. Desperate for work, Garfield’s character starts working for the same businessman, ultimately evicting other people. A star-packed, gritty and sobering tale on capitalism and our the lengths to which we’re ready to go to save face - while at the same time risking our most important relationships.

Love is Strange is an even-handed drama about a Ben and George (John Lithgow and Alfred Molina), a loving couple who marry after 39 years of companionship, only to face a series of unexpected consequences of their decision. George is fired from his position as a music teacher, they’re forced to sell their home, and they find themselves living separately with various friends and relatives. The story revolves largely around their time apart, as they struggle in their separation while creating unintended commotion in the lives of their hosts. It’s a warm, wryly amusing and ultimately very touching film about the bonds of love and dedication. It may seem slow at times, but to watch it through to the end will lead you to realize how truly special it is.

Based on the book by John Le Carre, this slow-burning thriller tells the story of a half-Chechen, half-Russian immigrant suspected of terrorism, who is suddenly spotted in a big German city trying to get his hands on money that was left to him. Gunter (played by Philip Seymour Hoffman) is the head of an international counter-terrorism unit created after 9/11 to spot threats like these early on. Whether this man is a terrorist or not, what he is doing in Germany, how he fits in the grand scheme of things, and whether Gunter will succeed in his efforts - all of these are questions you will be begging to find answers for. Witty, supremely acted, and with a very provocative story line, A Most Wanted Man is perfect if you're in the mood for a sharp thriller.

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.
An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.
Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble cast is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis' eyes and feel his pain.

A Ken Loach type of vibe drives The Selfish Giant  to be an interesting mix between anger,  desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer.  As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.

Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.

Jessica Chastain plays a driven Washington lobbyist called Elizabeth Sloane in this high-speed political thriller. After being pitched to work for the gun lobby, she decides to work for the opposition: an NGO trying to pass a background check bill. It's a long movie, and even if everything happens fast, it still lags. 

The events do wrap up by the end to explain the complex plot. Not to mention, Chastain's performance something to behold and is reason enough to watch. Her character's hidden motive and questionable methods make her an anti-hero, but Chastain always keeps a lure of hope that her character will redeem herself. That delicate balance might be the most thrilling aspect of Miss Sloan.