21 Movies Like Jackie (2016)

Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement. At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.

Former activists Ben Cash (Viggo Mortensen) and his wife Leslie drop out from modern consumerist society to raise their six children in the wilderness of the Pacific Northwest. They teach them how to raise and kill their own food, to survive in nature through boot-camp-like workouts, and homeschool them in literature, music, and left-wing philosophy. Instead of Christmas, they celebrate Noam Chomsky's birthday. Then, one day, this unusual family life is shaken by a phone call and they are forced to leave their life of adventure to reintegrate into American life.

Directed by Matt Ross, who also brought you Good Night, and Good Luck, the film offers a poignant look at alternative living, the effects of modern technology, and the nature of good parenting. Viggo Mortensen is indeed fantastic as the grizzled father and was rightly nominated for a Golden Globe and the Academy Award for Best Actor. George MacKay and the entire cast of “children” also deliver terrific performances. As emotionally raw and thought-provoking as it is funny, Captain Fantastic will have the viewer decide if Ben Cash is the best father in the world or the worst.

After his first serious role in The Truman Show in 1998, Jim Carrey got a shot at playing his idol, the late comedian and performance artist Andy Kaufmann, in Man on the Moon in 1999. When he got the role, a role of a lifetime, Carrey decided to honor Kaufmann's legacy by transforming into him (and his alter ego Tony Clifton) and, in true method-acting fashion, never to leave character. Jim & Andy is the result of 100 hours of behind-the-scenes footage shot at the Man on the Moon set, which was withheld for 20 years over fears of Universal Studios that people would think Carrey was an a**hole. While Carrey was a complete and utter imposition to the film's director, Miloš Forman, and everybody else on set, including Danny DeVito, his transformation (or obsession) was a unique, transformative experience for Carrey, who had been sick of fame and acting before he took on this gig. Whether you buy into this view or see it as a vanity piece of a complete maniac, this is one of the most unique and insane documentaries on Netflix. A mind-blowing portrayal of a complex mind.

Echoing Arthur Miller's Death of a Salesmen, Oscar-winning writer-director Asghar Farhadi (A Separation, About Elly) tells the story of a loving middle-class couple who live in Tehran, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), who are forced to move out of their apartment. After arriving at their new place, violence erupts, upending their life and straining their previously happy relationship. Farhadi does what he does best here, delivering simmering tension, complex realism, and unaltered emotion. Originally titled Forushande, every scene of The Salesman is a privileged look for Western viewers into Iran's collective consciousness. And even with all that aside, the film still stands out as an extraordinary drama with a tense plot and outstanding performances across the board. Another incredible addition to Farhadi's first-class filmography.

Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.

In a stunning and vivid (re-) introduction to the Black intellectual, author, and social critic, James Baldwin, this movie digs very deep into the American subconscious and racial history. It tells the story of America by telling the story of “the negro” in America, based on a book Baldwin started to write, which would have studied the famous assassinations of three of Baldwin's friends: Medgar Evers, Malcolm X, and Martin Luther King, Jr. He wrote about 30 pages before he passed away in 1987. Haitian director and activist Raoul Peck picked up the project and made it into a movie, earning him an Academy Award nomination. Narrated by none other than Samuel L. Jackson, I Am Not Your Negro highlights, at the same time, Baldwin's genius, his unique eloquence, and the beauty of his soul as a human being. It is a sad truth that Baldwin's denouncements feel as relevant today as they did 50 years ago. As such, this movie serves as a sobering reminder of how far America still has to go. A mesmerizing experience!

In Cameraperson, documentarian and cinematographer Kirsten Johnson creates an incredible patchwork of her life—and her life’s work. Johnson has been behind the camera of seminal documentaries like Citizenfour, The Invisible War, and The Edge of Joy. Here, Johnson stitches together fragments of footage, shot over 25 years, reframes them to reveal the silent but influential ways in which she has been an invisible participant in her work. 

In one segment, Johnson places the camera down in the grass. A hand reaches into the frame briefly, pulling up weeds that would otherwise obscure the shot. Cameraperson is a must-see documentary that challenges us to reconsider and reflect upon how we see ourselves and others through the camera lens, and beyond it.

Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did. This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.

Annette Bening, Greta Gerwig, and many other big names star in this comedy-drama directed by Mike Mills (Beginners, Thumbsucker.) The story spans multiple generations but starts in 1979, where Dorothea Fields (Bening) is finding it increasingly difficult to raise her son alone. She enlists the help of two other women, one her son’s age and the other a New Yorker in her twenties who is very active in the punk scene. The three women, of three different generations and personalities as well as takes on the concept of “only a man can raise a man,” play different roles in this kid’s life. 20th Century Women is based on director Mike Mill’s own upbringing in Southern California.

Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. 

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time. 

This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.