Movies Like Juno

This difficult movie is about a seventeen-year-old from the U.S. underclass who has to deal with an unplanned pregnancy. Autumn is creative, reserved, and quiet, but those are not qualities that her environment in rural Pennsylvania seems to value. On the opposite, she is surrounded by threats, including disturbing step-father and boss characters. 

Dangers escalate as Autumn decides to travel to New York to have an abortion. Never Rarely Sometimes Always is about unplanned pregnancies as much as it is about just how dangerous it is to be a teenage girl living in America.

This low-stakes coming-of-age movie stars SNL’s Pete Davidson as Zeke, an aimless college dropout. His best friend, Monroe, is still in high school and is much younger and more innocent. Monroe doesn’t realize that he has a very biased outlook on life through Zeke, as he starts drug dealing, partying, and dating according to rules that are not his own.

Big Time Adolescence tries to be a statement on destructive friendships but doesn’t fully succeed. Its true value is that it’s a movie that you can turn your brain off to, and those rarely come with statements.

A sweet feel-good movie starring Nick Offerman as a dad who has to deal with his only daughter leaving for college and his record store struggling. The daughter is played by Kiersey Clemons who you might recognize from the show Easy. And Ted Danson has a great role too. This is a relatable and heartwarming movie, one of the best the so-called “indie” genre has known in a long time.

Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did.

This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want.”

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.

Andy Samberg, Cristin Milioti (Modern Love, Black Mirror), and J.K. Simmons star in this easy but original rom-com that takes place in a wedding time loop. Nyles (Samberg) finds himself living the same day over and over again, so he gives in to the monotony and the fact that there is no way to escape it. 

When he is about to hook up with one of the guests, Sarah (Milioti), he is attacked by a mysterious character. The routine of his time-loop is broken. 

Palm Springs is often surreal and philosophical, which are not adjectives usually used to describe rom-coms. It offers just enough twists to be original without jeopardizing the things that make it a good rom-com.

Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.

A sweet and wholesome tale of two boys falling in love against the backdrop of 90s homophobia and social issues. Jamie is a heavily bullied high schooler whose only sanctuary is his family’s low-income apartment. His mom Sandra decides to also make that apartment a sanctuary for Ste, another highschooler suffering from an abusive father and older brother. They share Jamie’s bed and their prospect of friendship quickly turns into something else.

Beautiful Thing is beautifully scripted and never too emotional. In fact, whenever the story moves towards the emotional, a funny scene is introduced to ease the tension. Many of these scenes feature Sandra’s boyfriend, a well-spoken hippie by the name of Tony. Features heavy British accents, subtitles may be necessary!

It wouldn’t be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90’s skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn’t concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill’s directorial debut is beautiful in every sense of the word.

Madeleine (Embeth Davidtz) runs a high-brow art gallery in Chicago and has to take a trip to North Carolina to meet with an artist she wants to sign. She uses this opportunity to also meet her husband’s family, who is originally from there.

She is introduced into the small world of rural North Carolina, personified in Ashley (Amy Adams), the wife of her husband’s brother. Ashley is a wide-eyed but good-hearted person who has never left her town and who is in a bad relationship but pregnant with her first child. 

Ashley is the true main character of this movie (even if all Adams accolades were for ‘best supporting’ awards). Her joyfulness, her pregnancy, and her interactions with Madeliene are studied closely in this subtle but touching family drama.

Picked by Roger Ebert as the fifth best film of the decade. An observant, tender film about the little details in loneliness and then in relationships as we move through life. It’s funny, at times darkly so, and features a great performance by John Hawkes as Richard, an eccentric shoe salesman dealing with an ended marriage trying to turn his life around. He meets another eccentric character, Christine, played by the writer/director of the movie Miranda July. It’s a quirky film that wants you to relate to it, and the moment you do, gives you scenes that you might just remember forever.

The 1980s were not a great time to be of Pakistani descent in the UK. Hate crimes are at an all-time high and the economy is suffering. Plus, there is really no good era to be a misunderstood teenager. Javed is both those things in this coming-of-age comedy based on a true story. Javed finds solace in the music of one Bruce Springsteen, relating to his themes of small-city blues and the dreams of escaping them.

All of this makes Blinded By The Light a charming movie about a lot of unpleasantness, and while it tries to be too many things (a commentary on race, a musical, a coming of age story, etc), it succeeds where it matters: to treat the story with care and intelligence.

You live in a strange world. Or at least, that’s what the generation before you thinks. Eight Grade is a movie that follows a girl going through her generation’s strange world. Social media, selfies, Youtube; you name it. But also, the weight of her expectations (as shaped by the internet) versus her reality. Written and directed by famous comedian Bo Burnham, it’s a gentle and often funny look at our anxieties and how they shape our growth. Prepare for a lot of cringes.

Sunshine Cleaning is a great addition to that unidentified genre of grown-up comedies populated by other great entries like Your Sister’s Sister and Enough Said. It is however, less of a comedy than it is a heart-warming emotional tale. Powered by outstanding performances from Amy Adams and Emily Blunt, it ultimately evolves into a character study of failed potential and validation seeking. Sunshine Cleaning is enjoyable, satisfying to a fault, and provides an interesting peak into the lives of its characters.

Starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner and Patricia Clarkson. Lars and the Real Girl is a funny and thought-provoking look at the psychology of loneliness and the healing power of love. I rented this a few years back because of Ryan Gosling – he had just blown me away in Fracture so I was trying to catch up on his other movies. It was an unexpected gem. One of the sweetest movies I have ever seen – it was kind of like a fairy tale. With a blow-up doll. Yes, that’s right.

At the same time a fun, crazy, and meaningful movie about Malcom and his friends, high school teenagers and proud geeks who suddenly find themselves immersed in the underground LA drug scene. It’s a 2015 Superbad meets Boyz in the Hood. But in its essence it mostly resembles another beautiful film, Juno, in the way it evolves around a character played perfectly who you get to know, agree and disagree with, and ultimately learn from and relate to. Above all it’s an outright enjoyable film, a smart one too, with a great soundtrack to boot.

Adventureland is a retro-tinged movie about teens in Pittsburgh working at a run down amusement park during the summer of 1987. It is marketed as similar to Superbad, when in fact the only thing they have in common is the Director. Adventureland is funny, but it is more sweet, tender, and intimate. Touching on themes of unrequited love, returning home, and small-town love, the film stars Jesse Eisenberg, Kristen Stewart, and the always-delightful-duo of Bill Hader and Kristen Wiig. In addition, the film’s soundtrack is a joyous blast from the past, running the gamut of all your favorite 1980’s synth-happy love songs. It is a movie that anyone can really relate to, no matter when they were born, and an amazing watch.

I can’t get a song out of my head from this movie: the 1985 UK hit Desire As from Prefab Sprout.

It plays when the two main characters, a sensitive kid who’s bullied by his school for not liking rugby, and the school’s rugby star; talk over the “Berlin Wall” that separates their dorm room.

The song echoes “It’s perfect as it stands, so why then crush it in your perfect hands?”. These two seemingly incompatible personalities form a friendship that comes under threat from their school’s traditional authority, especially as one of them is revealed to be gay. 

It might seem like a tough premise, but Handsome Devil is actually a comedy. It’s a sweet and easy coming-of-age comedy.

A movie about a 16 year old girl who gets involved with an older more sophisticated man and how the relationship changes her life. Carey Mulligan’s performance is nothing short of perfect, inevitably making herself the center of the movie. The coming-of-age story is also quite exceptional, and conveys  impressive load and variety of emotions. An Education is one of those movies that make you live an experience you haven’t lived yourself, but because it is so exquisitely and realistically done, the character’s problems and joys will feel like your own.

A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine’s dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what’s important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.

This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It’s about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It’s the perfect mix between easy and challenging. If there is ever such a thing, it’s this movie.

An innocent-fun movie, Always Be My Maybe is a lovely thing to turn your brain off to. Sasha and Marcus are high-school best friends who dated briefly and went their separate ways. 16 years later, they meet again – Sasha is a famous chef, and Marcus is still living with his dad.

What really makes this movie is the writing from Ali Wong and Randall Park, who also play the two leads. The dialogue is sharp, believable and smart – going as far as covering themes of gender and parenting. But also, because a rom-com about two Asians from San Francisco is not exactly a common occurrence, the characters are fresh, the jokes are fresh – everything is fresh.

Watch out for the character who plays Marcus’ dad, he plays the character of an overly honest Korean dad perfectly. And also watch out for Keanu Reeves, he plays a crazy version of himself!

Starring a sad-sack Steve Carrell and an ensemble cast with brilliant timing and real heart, Little Miss Sunshine is a rare understated comedy that brings laughter and tears. As a dysfunctional family’s youngest member gets chosen to be in a pageant in California, the family must come together and support her through her journey. Along the path that they take, they learn and cope with each other. A great movie filled with phenomenal acting and writing with a real heart that will leave you breathless.